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3. Stop, look, and listen. And smell and taste while you’re at it. Books are a wonderful way to convey your ideas, but if you want to add texture and substance, you have to use all your senses. It’s not enough to say you ate delicious Buffalo chicken wings, though to be honest that should be enough. From what I understand, there are a few people that have never eaten Buffalo wings before. For those people, you can tell them about the steam rising off the plate of red-sauced chicken parts, awash in a sea of hot sauce and butter, the creamy Bleu Cheese dressing a cooling accompaniment to the tangy, spicy wings. Are they fried crispy, or are they soggy and saucy? Are they mild enough to give to a four year old, or do they leave your lips stinging as they light your throat on fire? The more real you make it, the more into the story both you and your readers will be.
4. Embrace rejection like a 13 year old at a middle school dance. My wife and I have been married for 23 years, have two ten year old kids, and find we agree on the most important things. But she doesn’t care for the Joe Banks series I have written at all. Just isn’t her cup of tea, and you know what? We’re still married, we still love each other, and she still supports my writing. Make your story as good as you can make it, and learn as much as you can from people who tell you constructive ways to improve. Failure, and rejection, is nothing more than the opportunity to do it better the next time. I think that’s true no matter what.
5. Have a sense of humor about it all. A wise old man once told me if you can’t laugh at yourself, someone else will laugh at you. In my day job as a physical therapist in a nursing home, I had a resident walk with me as part of his exercise program. We chatted back and forth for several minutes, and finally Arthur turned to me and said, “You know, this is a nice place. I think it might make a nice nursing home.” He thought about it, then started laughing. It was a genuinely funny moment, and reminded me not to take myself, or what I perceive to be my problems, too seriously.

Then, when you’ve got all that sorted out, keep notes on what you see, do, smell, taste, feel and hear that you might be able to use in a story. Figure out how you feel about it, and how you would react to a situation as you get to know your characters. Then write it all down. All of it. Don’t worry, you can sort it all out later.

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